Memperhatikan Perkembangan Rekaman

STUDIO-studio recording biasanya mempunyai spesialisasi musik tersendiri. Ada yang berfokus pada dangdut, campursari, pop, atau rock. Semua band dengan genre musik yang berbeda-beda bisa melakukan proses recording music di home studio tersebut. "Tapi biasanya grup band yang datang ke home studio recording sini alirannya pop atau rock," ujar Nur Hakim, pemilik Strato.

Munculnya studio recording music di beberapa kota tersebut menarik untuk disimak. Menurut penelusuran Suara Merdeka, studio music yang ada sekarang ini dulunya merupakan tempat latihan biasa. Studio Strato sejak awal berdiri pada 1994, hanya sebagai tempat penyewaan studio recording untuk beberapa grup band yang ingin latihan. Menurut pria berjenggot ini, pada 1998 studio recording miliknya berubah fungsi menjadi home studio recording yang bisa membuat demo grup band dalam membuat lagu.

Sekarang Strato boleh dibilang sebagai salah satu home studio yang cukup lengkap di Semarang. Tak hanya grup band asal Semarang saja yang memakai studio music tersebut untuk recording music. My Pupet Sally, grup band dari Yogya, melakukan proses awal dari rekaman, mixing, mastering, hingga editing di studio recording music tersbeut. Sementara itu grup band lainnya seperti Blue Savana, Radical Corp, De Facto yang sudah merilis album, mempercayakan proses rekaman di studio recording yang sama.

Studio Strato memiliki tiga ruang yang fungsinya berbeda-beda. Ada ruangan khusus untuk take vokal dan alat musik, ruangan mixing, matering, dan editing. "Saya lebih senang menyebutnya sebagai home studio karena sengaja saya desain menjadi studio yang ada di dalam rumah," Hakim yang juga personel (basis) Blue Savana.

Peralatannya pun juga tak bisa dibilang sederhana. Meski tak sebesar studio rekaman di Jakarta, Strato juga mempunyai stadarisasi perusahaan yang bergerak di bidang rekaman musik. Menurut Hakim, secara prinsip sebuah studio rekaman diharuskan mempunyai alat perekam, instrumen musik, dan komputer. Selain itu peralatan seperti multitrack, monitor, speaker, dan mixer mutlak harus dimiliki untuk proses mixing.

http://www.suaramerdeka.com/

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Sound System Operation For Concert]

Operation of the Sound System Rental & Wedding Sound System Rental is a serious ministry and the person who works with the sound must take it seriously. The sound operator should be a dependable person who has a servant’s heart, willing to cooperate and take directions, not touchy or easily offended. He should be a person with a good ear, attention span, and instinctives in working with sound mixing. He should be well trained and knowledgeable with the overall sound operation, as well as familiar with its technical abilities and limitations.

Operation of the sound system has to be rehearsed, just as singers and musicians do. The operator should be present for all rehearsals of the choir, orchestra, drama group, or similar events. He should make a chart of channel volumes and adjustments which sound best in rehearsals so that they can be easily duplicated during a performance. If there is no formal rehearsal for a vocalist or preacher, a “Sound check” must always be conducted sometime prior to a service, in which all mics and equipment are tested, and all sound levels are adjusted and verified. Excessive guesswork and “flying by the seat of your pants” during the service can produce many embarrassing errors which can devastate the sensitive mood of a congregation or hinder their reception of ministry.

As it seems to be in most other aspects of a church, there is a diversity of opinions about how the Sound System Rental & Wedding Sound System Rental should be operated. You will discover that when the volume level is satisfactory for most, there will still be some who cannot hear well and others who will think it’s too loud. Unfortunately, a sound operator cannot always accommodate every hearing sensitivity. All he can do is try to gauge the volume to an acceptable level for the average listener. A sound operator Wedding Sound System should have a “few” selected spotters in the audience that can help him gauge volume levels from different locations, but he should avoid being manipulated by the numerous diverse opinions.

A decibel meter is helpful in gauging volume in a auditorium. But even though the volume levels may be set identically during each service, the perception of loudness Concert Sound System Rental will be affected by the quantity and seating assignments of the persons in attendance. The presence of each person has an effect on the acoustic environment. A larger crowd will require more volume — a smaller attendance will require less volume.

It is best that only one person, such as one of the ministers or church elders, be authorized to direct or overrule the sound operator’s judgment for the auditorium volume. There should be some way to speak to the operator Sound directly by intercom or headsets. The performers obviously should direct the levels of the stage monitors according to their individual preference. An established system of hand signals is generally the best method of communication between the person on stage and the sound operator.

Frequently, demands are placed on a Wedding Sound System which cannot always be delivered. All Concert Sound System Rental have their particular limitations. A sound operator should be able to know and define them to performers and congregation, and should be able to give advice how to maximize their performance with a given system. Consequently, it would be helpful for people to also be willing to try to understand the limitations of a system and accept that an operator cannot always perform miracles.

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More about → Sound System Operation For Concert]